The piano pedals demystified!
Learn about the pedals of the piano and how to play the piano using easy pedaling techniques.
The pedals of the piano are tools for changing the sound, or color of the piano tone.
Piano pedals can create wonders when used properly, but could also "destroy" a piece if used without knowledge or care.
Remember that the greatest "controller" when using the pedals are your ears. Whatever the instructions say in the score, if it sounds bad, change it!
The piano pedals can look different and have different functions on different pianos. Some pianos have two pedals, some three.
So what are they used for, and what are they called?
There are actually four types of piano pedals. But there are only max 3 on a piano.
Three have basic "expressive" functions, but sometimes one of them has an "alternative" function of muting the piano (to not disturb neighbors).
To the right is the most used pedal, the Sustain or Damper pedal. Sustain means to hold or keep something.
In this case, the sound from all the strings in the piano gets freed when the damper is raised from the strings and the notes played becomes blended for a rich sound.
You will control the Sustain/Damper pedal with your right foot. After learning how to use it properly, you will probably use it in almost every piece you play!
In the middle, there is sometimes a pedal, which on a grand piano is called the Sostenuto pedal. This pedal is also controlled with your right foot.
Actually, the word Sostenuto means sustained as well, but in this case the function "locks" only certain keys to get a "damp" effect. For example, you want a chord being held but at the same time play staccato or short notes without blending them somewhere else.
This is a fun effect, but very rarely used. Some grand pianos do not have this pedal at all but have only the Damper and the Una Corda pedals.
You may find a Sostenuto pedal on some upright pianos, like the Yamaha U3. (But not to be confused with the third pedal on many upright pianos, that I call the "extra" function, see below.)
To the left is the Una Corda pedal. Again Italian, meaning "one-string".
On a grand piano, you can see how the mechanism moves the whole keyboard to the right. In doing so, the hammers that usually hit up to three strings hit one less.
On an upright piano, all the hammers inside get moved a bit closer to the strings, which slows the speed of the hammer and in this way making it possible to get a similar effect.
The Una Corda pedal gives a "sordine" or muted effect and makes it easier to play softer, but also with a subtle change in tonal color. This pedal you will control with your left foot.
There is another function of the middle pedal in many upright pianos.
The middle pedal when pushed down and locked to the side, allows a layer of felt cloth to be lowered in front of the strings. This makes the sound very much muted.
I call it the "neighbor pedal", it is to be used when you want to avoid being too loud and disturbing. However, the sound is terrible, and I would suggest using this only when absolutely necessary. (I find it better to cover the piano with a thick blanket instead!)
The first piano pedal you'll use is the Damper pedal to the right. Playing the piano and using the piano pedals can be a bit difficult the first time.
But there are tricks to learning it. In the beginning, we use two main techniques when using the damper pedal:
For the following exercises, you will only use your sustain or damper pedal to the right, with your right foot.
Tip: Check out: Piano Pedaling Lessons and Repertoire for tips and exercises in the pedaling technique for beginners.
Your pattern will look like this, (with the note C):
(U = Up, D = Down, - = Hold)
Count: 1 2 3 4 1 2 3 4
Play : C - - - C - - -
Pedal: UD - - UD - -
Keep repeating until fluent.
Now: Faster changes!
Count: 1 & 2 & 3 & 4 &
Play : C - - - - - - -
Pedal: UD - - - - - -
This is the "essence" of the Syncopated pedal!
When using the syncopated pedal you did the "opposite" of your playing; when you played a note, your foot went up.
When playing rhythmic pedal you will do the "same" as your playing; when you play a note, you will also press down the pedal! This is a bit easier.
Count: 1 2 3 4 1 2 3 4
Play: C - - - C - - -
Pedal: D - - U D - - U
This will leave a "gap" between the groups of 4, and not let the notes overlap as in the Syncopated pedal technique above.
Of course, the amount of counts you keep the pedal down depends on the length of the note value or the effect you want to achieve. In a waltz, for example, you might want to play:
Count: 1 2 3 1 2 3
Play: C E E C E E
Pedal: D U - D U -
The pedaling is sometimes written in the score, sometimes not.
The way to write it has changed over time and has in the past not been written too exact. Probably because it has always been expected by the pianist to add the pedal in good taste.
And this is important! Piano's differ, the acoustic in different rooms differ.
You always have to use your ears to hear if the pedal is good and serves the interpretation of the piece or not, no matter how well written the instructions are in the score.
A commonly used pedal sign:
It is easy to follow, and rather exact. You follow the line with your foot, so to speak: Down, Hold, Up-Down, Hold, Up.
In older sheet music you will often see this sign. It means (Ped.) press the pedal down:
And this means to let the pedal up: