Who doesn’t like musical mysteries? Or to sink one's teeth into mysterious music phenomena? Or both!
Well, you need to look no further than the history of music and music theory. Here are 8 mysteries and phenomena in music that may inspire you, or at least give you goosebumps!
Here is a look at 8 fascinating musical theories, musical mysteries, discoveries and phenomena, and how they relate to music theory. Maybe you can find some inspiration or tools for your composition or music-making here?
As far as we know, Pythagoras of Samos (approx. 570 – 495 BC, Greece) was the first to talk about the Harmony of the Spheres.
He and his followers reasoned that all in nature is related to numbers, like the number sequence of Phi.
The mathematical sequences can be found everywhere in nature, including sound and music.
As one of the greatest musical mysteries, it was believed that the movements of the planets and their relative distances created a certain celestial, humming sound.
This sound can't be heard by humans but is thought to be influencing us nevertheless...
In 1619 the mathematician, astronomer, and astrologer Johannes Kepler took this idea further in his treatise «Harmonices Mundi».
The Picture is an engraving from Renaissance Italy (Gafurius's Practica Musicae, 1496) showing Apollo, the Muses, the planetary spheres and musical modes (Wikipedia).
The golden cut, ratio, section - all refer to the mathematical calculation going back to Pythagoras and his Phi 0.618.
In art and music, the golden ratio may be seen as a way to measure a universal sense of beauty and balance.
In music, the golden ratio can be found in the construction of musical phrases and in the larger construction of a sonata form for example.
If you look at a typical phrase, the melody will move towards a peak, or climax of sorts, and then go back and get softer or less dramatic.
Many times the climax is reached about 2/3 in the phrase- which can loosely be seen as the Golden ratio.
You can hear it in a bigger context as well- listen for where the most complex or dramatic part is in a composition and you will often find it about 2/3 in the piece!
"The golden ratio is also apparent in the organization of the sections in the music of Debussy's Reflets Dans LL'eau (Reflections in Water), from Images (1st series, 1905), in which the sequence of keys is marked out by the intervals 34, 21, 13 and 8, and the main climax sits at the phi position."
(The dynamics of delight: architecture and aesthetics By Peter Frederick Smith quoted in Wikipedia).
Look at the picture here (The "Bach Cross") with J. S Bach's clever signature.
By reading the notes with the correct clef you will get the notes: B, A, C, and H. (In German Bb is B, and B is H).
J.S Bach and W.A Mozart liked to doodle with numbers represented by notes, as did and do, many other composers.
Composing the music was the easy part, the fun part was to «hide» musical mysteries and riddles relative to the music in the notation For example relating to a biblical text using numbers and visual symbolism.
Read more about this number symbolism here: How composers from Mozart to Bach made their music add up.
Pythagoras created a useful tool for musicians with the magical wheel of intervals called the Circle of Fifths.
By repeating perfect fifths one after the other, you get back again to the starting pitch, just a lot higher, after exactly 12 times.
The easiest way to see this is on a piano. If you start on the lowest C and then play a perfect 5th (exactly 3 ½ steps) up you will play a G.
Continue like this a perfect fifth up each time you will play all the 12 different pitches used in the western notation in this order: C-G-D-A-E-B-F# (or Gb)- Db-Ab-Eb-Bb-F and back to C.
The circle of fifths is useful to see how different notes, scales, and chords are related.
It shows all key signatures, as well as for example C is right next to F and G, which are also the most important chords to use for a piece in C major.
One of the "musical mysteries" of natural sound is overtones or harmonics.
Overtones or harmonics are tones that exist in nature and also are "hidden" within a single tone.
It is said that Pythagoras (him again!) “realized” the natural overtone series (and the mathematical sequence they can be represented by) when passing by a blacksmith hammering on metal and making sounds of different intervals.
Musicians are using overtones all the time, when tuning or playing their instruments.
You can sometimes hear at least a part of the natural overtone series when the wind blows on the roof and produces a tone, and a higher one when the wind blows harder.
A number of singers all over the world have learned the art of "overtone singing". Check out this amazing singer:
A tritone is an interval exactly three whole tones apart. It is called a dissonance since it gives you the feeling of wanting to go «somewhere», and does not sound very peaceful by itself. An augmented fourth or a diminished fifth are both tritones (and enharmonic!).
During the medieval era, the tritone interval was not recommended when composing music...
This may be since written music was still mainly religious, and as such striving to be peaceful and contemplative, but the tritone sticks out as a rather scratchy one!
It has been suggested that the tritone interval has an “erotic” sound to it (the urge to get solved into either a perfect fifth or fourth) and with some imagination, you can understand why it was not favored in the times of the Gregorian chants!
The tritone has been called "Diabolus in Musica" (the devil in music).
This haunting expression was coined sometime during the 18th century, as the tritone had long been considered an awkward interval to compose with and not very pretty in itself.
However, today the tritone is not part of any "musical mysteries" anymore. The tritone interval is used extensively in harmonizing music since it gives great movement forward in a harmonic progression.
Tension (dissonance) leads to a solution (consonance), like for example a tritone interval leading to a minor sixth (a semitone in each direction).
You probably know that sound is vibration. But did you know that you can capture sound in actual, visual patterns?
The vibration of a pitch in different frequencies can create amazing patterns in sand or salt on a metal plate or stretched skin like a drum, or any other vibration inductive surface.
The Rosslyn Chapel in Scotland recently became even more famous from Dan Brown’s "The Da Vinci Code" but is foremost known for its amazing stone carvings and intriguing history.
The Chapel has a series of strangely decorated «boxes» carved in the stone arches.
These little cubes have been suggested showing Cymatic or Chladni patterns representing different pitches.
Musical mysteries or phenomena, Cymatics is not a new invention.
Sound wave patterns in sand on drums, or dust forming patterns on a vibrating table, for example, have most certainly been observed thousands of years earlier.
If you really look, you can find what may be patterns of sound all over the world; in ancient hieroglyphs, mandalas, mosaics, and architectural decoration.
And if you really search, and listen, you can find musical mysteries and riddles in sound and music; subtle, obvious, hidden or even imagined...
Musical mysteries aside, the power of music is unbeatable. Music is magic since it can reach deep into our soul, or as Plato said: