Triads are three note chords. There are four types of triads. They all have a very individual color and expressive quality. And you need only change one note a half step up or down!
The four types of triads are:
So, the basic form of a chord (triad) is made up of three notes, stacked on top of each other an interval of a third apart. These thirds can be either big (called major) or small (called minor).
What is a third? To understand chord theory, you need to know a little about intervals, especially thirds since this is what the chords are made up from!
On a piano keyboard you can easily see what a third is:
The interval (distance between the notes) of a third is either two whole steps (major third) or one and a half step (minor third).
Triads are made up of two thirds; one major and one minor. See how the three notes are all on lines (or in the spaces) evenly spaced a third apart:
The bottom (lowest) note is called the root and gives the name to the chord; the next note (middle) a third higher is called…the third!
This third has an important job, since it decides whether the chord is a major chord (a major or big third from the root note) or a minor chord (a minor or small third from the root note).
The last note one third up from the middle note is called the fifth- because the notes are counted up from the root.
The basic triad is named after its root, and if the first third is major or minor. In this case the root is a C, and the first third is a major third. So the chord is called C major, but written only “C”. If it was minor it would be written “Cm”.
Triads are built with intervals of thirds stacked on top of each other. The different types of triads are built in this order (from bottom up):
If you add one more third on top of a triad in root position, you have a four note chord, also called a seventh chord.
When the stacked thirds are (from the note C as being the “root”) major, minor, major, the chord is a major 7th chord, written: Cmaj7 .
If you have major, minor, minor thirds, it becomes a regular 7th chord, written: C7.
Keep on stacking thirds like “Lego pieces” on top of the triad; the next third is the 9th, then the 11th and finally the 13th.
Adding more notes to the basic triad gives you many beautiful harmonies to play with (!). By adding more thirds on top we get:
And since we have only 7 different pitches in a major or minor scale- the 13th chord is using all the notes possible in a scale!
Let's continue with a 9th Chord (C9) starting on C:
Here is the interval of an 11th (a), and an 11th Chord (C11) (b):
And finally, adding one last note, is the Major 13th Chord (Cmajor13) The first example here:
Why not more?
Well, with a 13th chord you are actually using all of the 7 different notes of that scale- adding more would just repeat notes.
The notes that are added to the basic triad are written as numbers: 7, 9, 11 or 13 to the right of the chord name, like this: C7, for example.
C is the basic triad, in this case a major chord, and added on top is a seventh (counting up from the root up).
C9 includes all the notes, root, 3rd, 5th, 7th, and 9th, but only the root (C) and the last (9) is written. This works in the same way with the 11 and 13 chords.
C13 has an awful lot of notes… 7 of them!
So instead you will often see the chord formula C major 7 (add13), which includes the basic triad plus the 7th and the 13th. This note is the same as the 6th as well, which makes it a bit easier to play!
Now, all the chords on this page were in root position, where the root is the bottom note.
But all chords can be inverted, or rearranged, to better fit together and be easier to play smoothly.
As long as you keep the same chord notes, you can reorganize them anyway you like.