The music bar line is the vertical line that divide the notes in a score into groups. These groups are then called musical measures or bars.
Barlines are actually not extremely important in themselves, (rather a bother at times), but they help us when reading notes to visually divide the notes in groups on the music staff.
The grouping of the notes like this is determined by the music beat, or the underlying pulse of the piece.
The barlines help us by showing where the most emphasized beats are; the first beat after each line. This is also called the downbeat.
All music is based on an underlying pulse, or beat.
It can be very obvious, like in Rock music, or not so obvious like in some Impressionistic music e.g.
This is what makes us want to dance and move to the music- or not!
Different rhythms are layered “on top of” the beat. This can be easy simple rhythms or complex music rhythm patterns like for example in Latin music.
This beat (imagine the circles as a beat or pulse);
O O O O O O O O
is all the same. Try tapping with your hand a steady beat on the table or on your leg.
Now tap harder on some of the beats, like this (X marks the harder beats):
X O O O X O O O
By doing this, the beat automatically feels organized in groups, in this case in groups of 4. This is also called meter in 4!
Now try this:
X O O X O O X O O
This would make meter in 3!
X O X O X O X O
(-Not hugs and kisses!) Would make meter in 2.
So, what has all this got to do with bar lines?
Well, bar lines are placed right before the X!
Let’s swap the O’s and X’s with notes. Like this:
Hmm… just notes. No indication of the beat.
So we add lines! This tells us that the note on the first beat after the bar line is supposed to be heavier, or a bit louder ("downbeat").
But this example has a rather boring rhythm. Each beat can have a lot of different rhythms “on top of it”. As long as all the note values add up to the same for each beat.
We have to decide how much each beat is worth. This is pure math. Let’s say each beat is worth the same as one quarter note (as above).
So, you could use any number of note values to add up to the same as one quarter note; for example two eight notes, or four 16th notes, or a quarter rest, or two 16th notes plus one 8th note, etc, etc.
The two fractional numbers in the start are the time signature. They just help by saying how many beats there are in each measure, and what note counts as one beat. For now, the quarter note, or crotchet is worth one beat. (Yes, this can change!).
Here are a couple of examples:
Of course, most music does not only show the rhythm as above, but also the pitches.
Like in this example by Tchaikowsky (first Piano Concerto). Here the bar lines divide the music in measures with note values that add up to the equivalent of 3 quarter notes in each.
You will find a few different types of bar lines. This is what they mean:
a. Simple barline: Divides the music in groups as we saw above.
b. Thin double barline: This is used to show different sections of a larger piece.
c. Double barline: This shows where the music ends.
d. Repeat sign: The dots on the right is used to show from where it should be repeated if not from the beginning, let’s say a couple of measures in the piece.
e. Repeat sign: With the dots on the left is the most common sign used to show that the piece should be played from the beginning again.
By adding barlines to a piece we divide it in groups of beats.
Even though we can’t really see the beats, they are (almost) always felt in the music. The beat keeps the music organized, you could say.
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