What type of piano exercises do you need as a beginner and how can they help you develop strength and flexibility at the piano? As you begin playing piano, simply the act of pressing down the keys-and synchronizing your fingers-in addition to learning music theory-and how to read notes-as well as trying to sit correctly-and keep you hand position right – phew!- is usually more than enough...!
But after a while it is a good idea to start working with separate piano exercises to help you to build up strength, awareness and security in your playing technique.
One more plus (of many) with special technical exercises is that you become more aware of the different movement patterns used when playing the piano.
To recognize a pattern of notes as a movement instead of a “bunch of notes”, helps you to both read and perform music better as well as to play more beautifully without unnecessary tension.
I know there are pianists and teachers who consider technical exercises pointless and that by studying lots of repertoire and making your own exercises from the “real” piano pieces, you will learn all you need.
Even though I personally do not agree completely with this, it is a great way of learning a piece to actually work on passages, aka “passage work”, in the music itself and to make up your own exercises from it. However- this does not apply to beginner pianists, as you need to be a really good player to begin with, to be able to make such choices, knowing what you need to work on!
1. Finger Exercises and Drills:
Exercises as opposed to Etudes, are technical exercises that introduce you to movement patterns for your hands, arms and whole body, as well as finger drills, introducing one difficulty at a time. (Not really very pretty to listen to!).
Charles-Louis Hanon wrote the famous
The Virtuoso Pianist which is a collection of real finger drill exercises. Get a free PDF and practice advice here.
2. Scales, Chords and Arpeggios:
Even though the word Etude means Exercise as well, we say "Etudes" about exercises that are more like real pieces. Etudes are pieces that contain several difficulties at the same time, for example learning how to make a melody be heard over a subtle accompaniment.
Some of these etudes are used as repertoire since they are really beautiful, and some are more boring. But the point with the etude is to practice technique in a more musical context, involving phrasing and musical thought, not just drills.
Depending on your preference, here are some ways to work with a daily piano exercise regimen. These
are just a few suggestions; but do try to work- if not every day- at least a
few times a week with some form of technical exercises.
A. The All-At-Once Method:
Each day you set aside certain minutes of practicing piano exercises, in addition to learning new pieces, maintaining old repertoire, learning by heart, sight reading and improvising. If you practice 60 min. sessions in a day it could look like this:
B. The Different-Every-Day Method:
During the week you might like to focus more on one different aspect each time:
C. The Don't-Wanna-Spend-too-Much-Time Method(!):
After a while, when you have learned some exercises you really like and feel does good for you, put together a short piano exercise “repertoire” of about 10-15 minutes and use as a warm up every day (played by heart), and then focus on your pieces for your repertoire the rest of the time.
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